Gamber’s case for organic
gradualism

The Modern Rite: Collected Essays on the Reform of the Liturgy gathers together in one volume an English translation of eleven articles written by the German liturgist, Mgr Klaus Gamber, and originally published in various journals between 1964 and 1971. A slender volume of less than 100 pages, the collection nevertheless addresses a wide spectrum of issues arising from the project of liturgical reform launched within the Catholic Church in the 1960s by the Second Vatican Council with farreaching consequences.

The connecting theme of Mgr Gamber’s articles is how liturgies change. It is clear that Gamber himself is in favour of liturgical change. Anybody looking to this volume for a ringing endorsement of the immobilist liturgy of the "Tridentine" era will be disappointed. Gamber describes the Roman liturgy as it was performed in the period before Vatican II as a congealed, ossified mass of rubricism, rigidly controlled by the Congregation of Rites, long overdue for reform. Indeed, he assigns a large portion of the blame for the disaster that overtook the liturgical life of the Church to bureaucratic obstruction of change sustained over four centuries such that, when movement was at last again permitted, the pent-up pressure blew the liturgy apart.

Gamber notes that, while Vatican II’s Constitution on the Liturgy of 1963 corresponded to what was needed for the renovation of the liturgy, the academic discipline itself of liturgical studies had not reached a sufficiently advanced stage to be able to provide any reliable conclusions about how fruitfully to implement the principles mapped out in the Constitution. Consequently, the business of liturgical reform in the 1960s was driven along by the private opinions of a small group of liturgists who were not sufficiently grounded in the theological purpose and historical development of liturgy and who were oblivious of spiritual, psychological, anthropological and sociological factors of capital importance affecting the complex interrelationship between people, faith and ritual. What the Church ended up with is an endless and aimless quest for ever more subjectively exciting experiences and sensations. Gamber speaks aptly of "production-line liturgy” in which change becomes an intoxicating end in itself. He presumes that the reforming zealots responsible for this state of affairs have been well intentioned but he judges that the results have been very disappointing, if not calamitous, especially with regards to young people who, ironically, were supposed to be the main beneficiaries of the new liturgical outlook. The jettisoning of ancient, welltried rituals and customs in favour of an unceasing round of innovation and experimentation has produced, not only a great deal of silliness, but real dangers in that constant change in forms of worship tends to instill in the faithful a sense of insecurity which spreads out from the liturgy to the very foundations of the faith itself.

Gamber’s reform

The kind of liturgical change recommended by Gamber is a gradual, organic, evolutionary, almost imperceptible development. This middle way between rubricist rigidity and the endless pursuit of vacuous novelty is the mode of change that actually prevailed in the Church throughout the greater part of its history, from its beginnings until the end of the medieval period. Convinced that there was no satisfactory solution in sight to the liturgical dilemmas of his day and that a lasting reform was not then possible because of the lack of the necessary preconditions, Gamber proposed as a way out of the morass a return to the organic model of change.On the grounds of the impossibility of creating an entirely new rite out of nothing, he argued for the retention of the old Latin liturgy alongside with, and on an equal footing to, the new vernacular liturgy, combined with a prudent and discrete provisional reform inspired by the classical liturgy of the fourth and fifth centuries and based on the latest scholarly liturgical research and scrupulous respect for the fundamental principles of liturgical theology and practice. He believed this would be a long and difficult road. The pastoral and evangelizing dimensions should be paramount in that there should be no changes in the liturgy at all unless they clearly nourish the faith of the people, energize the Church in its mission and make it attractive to outsiders.

Judgements

As well as its general sweep, this volume also deals with a range of specific issues. Gamber asks whether it is really possible to apply the notion of "relevance", which by definition suggests the ephemeral, to something as timeless as the liturgy. He thinks that the Novus Ordo Missae, spurned by traditionalists and innovators alike, is not up to the task of providing a truly satisfactory renovated liturgy, although he approves of some of its features: the use of the vernacular languages (while deploring the nearuniversal suppression of Latin against the clear directive of Vatican II), the richer and fuller selection from sacred scripture, the intercessions, the extra eucharistic prayers and ritual simplification. He laments that the balance between the ideas of sacrifice and meal in the understanding of the Mass that was achieved in the early Church was lost in the medieval centuries when an overemphasis on sacrifice came to the fore provoking a reaction in recent years towards an equal overemphasis on the meal aspect. For Gamber, sacrifice and meal belong together. He shows that the notion of Mass "facing the people" has no justification whatsoever either in table custom observed at the Last Supper or in the ritual thinking and practice of the early Church as found in the literary sources and archeological evidence of Christian antiquity. It originated with Luther and is associated with a loss of belief in the idea of the Mass as a sacrifice, not only in Luther’s eucharistic theology but also in the thinking of many Catholics in the post-Vatican II period. Gamber sees "active participation" as integral to liturgy provided there is a balance between inert passivity and unrelenting over-activity. He notes that silence and being still do not necessarily mean that one is uninvolved and enters a plea for individuals being allowed to decide the manner of their participation. On the question of communion in the hand, Gamber observes that any practice which for several centuries had been in general use in the Church cannot be simply rejected in itself but concludes that its reintroduction in modern times is pastorally imprudent. Communion in the hand represents such a stark contrast with the previous very strict, centuriesold discipline that it causes doubts to arise in the minds of the faithful as to whether the Church still believes in the doctrine of the real presence. Another, very worrying aspect of this problem is that the priest cannot be sure anymore what is going to happen to the Sacred Host.

Klaus Gamber’s scholarly and prophetic insights into the problem of liturgical reform as displayed in this collection of essays are just as fresh and apposite today as they were thirty years ago. The issues which he identified are still with us and one wonders whether any progress at all has been made since these essays first appeared. However, Mgr Gamber (who died in 1989) would surely have approved of two recent developments within the Church which correspond closely to his own proposed path out of the liturgical mess: firstly, the revival of the traditional Roman rite (especially since the decree Ecclesia Dei adflicta), even if this rite has not yet been accorded canonical parity with the Novus Ordo; and, secondly, reconnecting liturgical change organically to the previous ritual forms (as advocated by the Adoremus movement), even if the "reform of the reform" has yet to make much impact on the life of the Church at the parish level.


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